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Volumes 1-4
Volumes 5-9

This manga continues to be not just the story of a man and his cat, but all the lost souls and wounded hearts who come into their orbit, whose hurts begin to heal through human kindness and feline devotion. Every volume manages to punch me in the emotions, but in a good way.

Highlights )
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Now this is how you stick the landing.

It's been six years since I started reading this manga, and I've been following it on and off since then. I'm glad I saved the last three volumes to read in one go. It would have been agonising to wait for it, chapter by chapter, week after week.

The finale was dramatic and cinematic and emotionally satisfying. Worth the wait, worth the journey.

Spoilers )

This is such a weird series, sometimes so utterly bizarre, I don't know how to go about recommending it. On the one hand, it's a compelling treasure hunt with competing factions, old secrets, and a race against time. On the other hand, it's gory and violent and disturbing. It's also a beautifully detailed history of early 20th century Hokkaido, a meticulously researched depiction of Ainu culture, a meditation on the relationship between humans and nature, and an examination of imperialism, war, and PTSD. (But also, sometimes utterly bizarre.)
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For all my love of anime, I know surprisingly little about its production. Animeta! is a manga by former animator Yaso Hanamura, and provides an insider view of that industry.

Miyuki Sanada is an aspiring animator, whose passion for it awoke from a chance episode of Royal Girl Pannacotta. As a newbie, she takes the exam to join N2 Factory Studio, and she starts at entry level, where we learn along with her.

Animeta! goes into detail about the nitty gritty of what goes into making anime, particularly cleanup, inbetweening, and - the holy grail - raw key animation.

* Key animation - The process of drawing the images that become the key moments of motion. The raw keyframes are the basis of motion of a cut.

* Cleanup - The process of tracing lines on the keyframes to create a clean copy, ie combining (1) the raw keyframe with (2) the animation director's corrections to that raw keyframe on (3) a new sheet of paper to create the finalised frame.

* Inbetweening - The process of adding frames in between the keyframes, so that the motion becomes fluid, not choppy.

* Inbetween checking - The process of checking the cleaned and tweened frames, to make sure they are neat and the motion is smooth. This can sometimes involve fully correcting work, ie redrawing the work from scratch instead of just correcting portions of individual frames.

All the technical details are really fascinating, and what Miyuki needs to do to level up her skills. Animeta! shows the magic of making something come to life on the screen, conveying the sense of movement and weight and emotion, the joy of seeing the three cuts you did appear in the finished movie, and seeing audiences respond in a way that gets that you put your heart and soul into it.

But. Animeta! is upfront about how gruelling the working conditions are. There's no getting past the existing reality of long hours and low pay, which leads to high turnover. Cleanup and inbetweening is piecework, ie paid by the frame. And only completed frames, not ones that have to be redone.

Inbetween checker Fujiko tells Miyuki early on: "If it takes you one hour to draw one frame, then you can complete twelve frames a day if you work twelve hours. For a TV series, N2 pays about 210 yen per frame for inbetween and cleanup. So if you're working twelve hour days with no breaks, that's 2,520 yen a day, or about 75,000 yen a month. That's before taxes, of course." (Though she later adds that there are a handful of top-tier animators who make 10 million yen a year.) And to take the exam to become a key animator at N2, the requirement is to do 500 frames a month for three months in a row as an inbetweener, or work as an inbetweener for two years and take the exam in the third year.

It's kind of depressing, in a way that most manga about striving to excel in your field isn't. Even when Miyuki progresses beyond those beginner stages and wages, there are new struggles and setbacks to overcome. The counterargument is, if making animation is your passion, is walking away something you would regret? There's no good answer to the question, except - what option will leave you with the fewest regrets?

The most recent volume came out in 2020. Even though the series is not marked as concluded, Volume 5 does end in a reasonably satisfying place, with Miyuki having made a major decision about her future.
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This manga by Kousuke Oono is described as a "cosy yazuka comedy", and yeah, that sums it up pretty well.

Tatsu used to be the feared Immortal Dragon. Now he's retired, married, and settled into the domestic life of being a househusband. His wife Miku is a designer with a full-time career, and Tatsu takes responsibility for the daily chores of cleaning, cooking, grocery shopping, etc - with all the intensity and ferocity of his old job.

The comedy is in the juxtaposition of his language, demeanour, and high stakes attitude, with ordinary life in an ordinary neighbourhood. There's also a kind of pleasure in seeing household tasks being treated with deep seriousness.

And it's not just Tatsu. This is a world where other ex-yakuza are just as likely to be embedded in normal life, whether working the register at the supermarket, or playing volleyball at the community centre - and all being weirdly intense about it. A world where Tatsu mentors young gangster Masa in laundry ("Sorry, I was eating curry udon and it got everywhere..." "Look, when you botch the job, you gotta clean up after yourself right away."). Or where Tatsu has a crepe battle with former rival, Tora the Steelfist Tiger (where Tora gets zero Instagram likes for his creation, and Tatsu gets one - from his wife).

It's bizarre but fascinating, often oddly charming, and sometimes even heartwarming.
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Maomao is the daughter of an apothecary. She was kidnapped by bandits and sold as a servant to the royal palace, where she is currently working off her indenture. However, her knowledge of poisons and medicines leads her to figure out why the imperial heirs keep dying. Soon she is asked to use her expertise to investigate whenever strange events occur, and she finds herself becoming deeper enmeshed in palace intrigue.

This manga is part mystery-of-the-week, and part about the lives of the concubines and other inhabitants of the inner court. I enjoy the puzzle-solving aspect of it, even though in the ruthless corridors of power, the puzzles are sometimes dark and tragic. But Maomao is smart, determined, and obsessed with being able to use her apothecary skills. And there is kindness and friendship to be found.

As the story unfolds, we learn more about the secret history of the palace, and the secrets in Maomao's own backstory, and unexpected connections beween them. It definitely has me hooked.

I should mention Jinshi, the head eunuch, who takes a great deal of interest in Maomao, and gives her many of her assignments. He's handsome, flirty, and enjoys pulling her strings. I think I would have been completely charmed by him when I was younger, but now I just find him kind of annoying. Still, I am resigned to him being the endgame love interest, and probably not actually a eunuch.

The Apothecary Diaries was originally a web novel, and has since become a novel, a light novel series, two manga series, and now also an anime. The manga I've been reading is the Square Enix one: story by Natsu Hyuuga, art by Nekokurage, compiled by Itsuki Nanao, and character design by Touco Shino.
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My review of the earlier volumes.

So this is a manga about a man and his cat, and how they saved each other from loneliness.

But it turns out, it's also a manga about the healing power of cats.

I mean, also the healing power of love and friendship. But mostly cats.

Mr Kanda is the man. A widower who adopts a cat, like his late wife always dreamed of someday. We've seen how the cat, Fukumaru, has transformed his life. We've gotten his painful backstory: how he was an acclaimed concert pianist, who toured too long and got back too late, and how he can't make himself get back on stage after that loss.

And now! More people start coming into his life, admirers and rivals alike, who knew him back then or know him by reputation. All of them stunned at how full of joy he is now, and won over by his kindness and compassion. We get the dramatic backstory reveal of the hidden wounds they carry, and then the catharsis of them opening up about their emotional trauma, and starting on the path of healing their hurts.

Oh yeah, and they start falling in love with cats too. Yes, more cats come into the story, some with their own emotional scars of neglect or abandonment, and these serious professional musicians have their hearts melted by them, and decide they need to give these cats a home. It's slightly ridiculous, but deeply heartfelt, and utterly compelling.

I love that Mr Kanda is changing the lives of the people around him, mending rifts in relationships, rediscovering his love of music and helping others rediscover theirs. I love that he now has a circle of unlikely friends, with the feeling of found family, and many lovely moments of people connecting.

If you want adorable cat antics, and repressed adults crying their hearts out while hugging cats, this is the series for you.



Is this a cat manga or a music manga? It can be both!

At first, I was conflicted about it. I thought maybe I should emphasise the "cat manga" aspect more. I wondered if it shouldn't just be about Fukumaru and the man's heartwarming days together.

When you create characters though, they acquire histories. When I saw their burdens, I wanted to lighten their loads as much as I could. Apparently, I can't draw purely heartwarming stories.

Go for it, protagonist! You can do it! I just know you'll overcome this! While you're at it, go on and carry everybody!

- Author's Notes, Volume 6

Hikago Day

May. 5th, 2023 11:18 pm
meteordust: (hikaru)
SHINDOU:
It must be lonely to be the god of go.
You'd have no equal, no rival.

MR KITAJIMA:
Hmm... that's a curious thing to say.

MR KITAJIMA'S OPPONENT:
Well... maybe that's why the god of go teaches humans how to play.
To nurture a strong player who can someday be a worthy opponent for the god.

TOUYA:
So that's why go players down through the ages...
seem compelled to get better and better?

MR KITAJIMA'S OPPONENT:
Exactly right!
Why else would a game become a way of life?

- Chapter 168 of Hikaru no Go

***


Some things I've been watching lately:

* Star Trek: Lower Decks - I never expected to fall for this show the way I did. TNG is forever the show of my heart, and what I want most out of Star Trek. Lower Decks somehow manages to capture that optimism about the future, and that love of science, space, and exploration. It's been said that it's a Star Trek comedy, but not a Star Trek parody. Admittedly, it has a rocky start before it finds its feet, and recurring bursts of unnecessary crude humour. But some of its episodes are up there with the best of Trek I've seen, like the stunning Season 1 finale, "No Small Parts". It manages to pay tribute to nostalgia, both the beloved and the ridiculous, as well as add its own voice to the universe, distinctive and contemporary. I marathoned the first three seasons of this, and I'm hanging out for the fourth later this year.

* Willow - The movie was one of my childhood faves, so I was excited for a new TV show sequel, especially with Warwick Davis so enthusiastic about it. It was everything I didn't know I wanted. The new generation are a delight. Willow is a great flawed mentor figure who has Seen Some Stuff. Sorsha is fantastic and complicated. Even Madmartigan gets to be obliquely involved. I love all the banter and the interactions. I love how everyone is genre savvy. I love all the classic fantasy tropes, and how it sometimes feels like an RPG adventure. I just don't get all the criticism of it! I thought the writing was great, the acting was great, the cinematography was great. I am gutted that it got cancelled after a season. I am still hoping for a revival somehow.
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I am definitely not a cat person.

But I am a huge sucker for stories about a lonely person whose life is changed by an animal companion.

And I am definitely a huge sucker for stories about an unwanted animal who finds a home with a loving human.

Fukumaru is a big cat with a squashed face who has been living at the pet shop for a year, watching as cute kittens get taken home and feeling resigned to never being chosen. Until the day a solemn widower, Mr Kanda, comes into the shop and chooses him right away. Reading the first chapter of this manga made me tear up right in the middle of Kinokuniya.

A Man and His Cat started life as a webcomic by Umi Sakurai. The collected volumes contain a chaptered storyline interspersed with four panel comics. The story explores their daily lives as Fukumaru and Mr Kanda get to know each other and discover new things together. How happy they are to have each other shines through on every page. (There are lots of scenes of the man hugging the cat.) We also meet Mr Kanda's friends and colleagues, who care for him but have always felt a distance, until he reveals a warmer side with his love of his cat. And - most intriguingly - we gradually learn the painful secrets of his past.

Be warned that there are many terrible cat puns in this manga. ("I love mew all!") I adore a good pun, but this kitty talk is just painful. It means something that I love this manga anyway.

There are nine volumes of this manga so far. (There is also a live action TV show adaptation. Apparently the cat is played by a puppet. I don't know how to feel about this.)

Anyway, if you want to be punched in the heart multiple times (in a good way), I highly recommend A Man and His Cat.

Bonus other reviews )
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So I've been doing some rereading of Silver Spoon, and discovered a bonus artwork in the final volume. It's a sketch labelled "The Equestrian Club Underclassman", the incredibly earnest first year student who joins the club in the later volumes. The author's note says:

When I was thinking about what to name this character, I got a lot of reader letters saying, "Me too! I was also a sheep who enrolled in farm school after reading this manga! I also went the equestrian club way, and people warned me I didn't know what I was getting into... But I'm doing my best!!"

And I thought, "Ah, I'm not going to name her."

This character is you, doing your best, without worrying about what other people say!!


I think my heart just grew three sizes. <3
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I feel like the soundtrack to this volume could have been "We Didn't Start the Fire", because it's just one damn thing after another.

I'm not sure how many years it spans, but it's long enough for a whole barrage of historical events and personal dramas. For some reason, I always assumed The Rose of Versailles would be a slow build to the French Revolution, but no, it's already an emotional rollercoaster.

But first up, behold the gorgeous cover for this volume. (The swirling hair! The sparkling eyes!)

Spoilery musings )

One of the things I love about historical fiction is, there are multiple ways of appreciating it. If you know what's going to happen, you get tension. If you don't know what's going to happen, you get suspense. I've already run out of plot I've osmosed (except for How It Ends). What on earth are they going to cover in the next three volumes?
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I feel like I've been waiting half my life to finally get the chance to read this.

One of the most iconic and influential manga of all time, The Rose of Versailles, by Riyoko Ikeda, was originally published in 1972. It is the story of Oscar François de Jarjayes, the sixth daughter of a general, who raises her as his son and heir. Oscar - brave, fiery, and principled - becomes Commander of the Royal Guard to Marie Antoinette - the feckless, beautiful, and ultimately tragic last Queen of France.

Despite its acclaim, and its translation into other languages, it did not have an official English release until 2019. Udon Entertainment has published it in five deluxe hardcover volumes.

This edition is absolutely gorgeous. The covers shine with gold highlights, and the paper is thick and glossy. Full colour illustrations are included at intervals throughout. Definitely a collectable as well as a classic.

The artwork is stunningly beautiful, like all of Riyoko Ikeda's work: the flowing linework, the extravagant detail, and the passionate emotion.

Spoilery musings )

This manga is known for its groundbreaking exploration of gender and sexuality. But what I found striking was the social commentary. The endpoint of the story - spoilers! - is meant to be the French Revolution, but I had assumed we were still a long way away. But even in this first volume, there are already rising tensions. While the rich spend tax money on luxuries and get away with literal murder, the ordinary people are suffering hardship and worrying about the price of bread.

... This should not still feel relevant in 2022.
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This autobiographical manga was originally a blog and a webcomic by Chii (aka Bride-chan), a Japanese woman who was assigned male at birth. It's the sweet and charming story of her journey of identity, transition, and love. (The title is a translation from the Japanese, Hanayome wa motodanshi.)

Chii meets the man she will eventually marry (aka Husband-kun), soon after she begins her gender transition. The story of their romance and relationship is adorable, and also full of emotional moments. (The scene where she comes out to him, and the scene where he proposes, did things to my heart.)

There are flashbacks to Chii growing up while raised as a boy, which capture her feelings of difference and isolation. When Chii decides to come out to her family and friends, they are supportive and welcoming.

The manga explains concepts about gender and sexuality in an accessible way, and addresses common myths and misconceptions. I found it informative about the situation in Japan, at least as of publication in 2016. For example, the harsh bureaucratic hurdles to legal recognition of transition: a medical diagnosis of "gender identity disorder", sex reassignment surgery, not having minor children, and not being currently married. (Gay marriage is not yet recognised, which means that couples who wish to stay married after transition, can't.)

Despite the many challenges, Chii makes it down that long road and finally has her wedding day with Husband-kun, when they can begin a new stage of their lives. At its heart, this is an engaging and heartwarming story about finding happiness. It's a sharp contrast to read this after Claudine - a sign of the progress made in the last few decades, even though there are still obstacles to overcome.

Claudine

Oct. 2nd, 2021 10:11 pm
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There are some authors that for me are "buy on sight". Turns out Riyoko Ikeda is one of them.

Her most famous work, The Rose of Versailles, is a manga classic. I had never heard of Claudine, but my attention was arrested by the cover artwork, in that unmistakable style. It took only a few minutes to go through the process of, "Should I get it? I didn't plan to get it. Okay, I'll get it!"

First published in 1978, and set in early 20th century France, Claudine is the story of a young man assigned female at birth, and his tumultuous life and loves. Narrated by the psychiatrist who becomes his friend and confidant, it follows Claudine from his idyllic childhood in a country town, to his university student days in Paris, and his relationships with the various women in his life. It contains all the passion, drama, and longing that are hallmarks of a Riyoko Ikeda work. And woven throughout is Claudine's struggle to find true love and true acceptance.

The artwork is gorgeous. The characters are compelling. The story is deeply moving. Some aspects show its age: the narrator uses female pronouns for Claudine, and the story is ultimately tragic. Even so, it is told with great empathy and sensitivity - affirming his identity, and indicting the society that would not understand him.

I can only imagine how groundbreaking it must have been forty years ago. Things have changed so much in that time, and yet Claudine's story still feels like it could have happened today. It makes me think about how far we've come, and how far we still have to go.
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Hiromu Arakawa is probably most well known for Fullmetal Alchemist, which is one of my favourite manga. So I was really pleased when her new series, Silver Spoon, was translated into English. It draws on her own experience of growing up on a dairy farm.

Yuugo Hachiken is an academic overachiever who has hit burnout, and wants to escape the pressures of his family. So he moves away from the city to enrol in an agricultural high school in Hokkaido.

The story is a mix of slice of life, coming of age, and comedy drama. Many aspects of rural life are new to Hachiken, and he gets a crash course in adapting to them. Most of his classmates are from farming families, and we learn about their world through his eyes. The cultural exchange goes both ways though. As a newcomer, Hachiken's questions and reactions also make them think about the assumptions they've grown up with. Hiromu Arakawa is good at ensemble casts, and Hachiken's classmates are an engaging and quirky assortment of characters. Hachiken himself is a great protagonist - earnest, sceptical, and curious - and, as it turns out, the kind of person who can inspire people to come together to achieve shared goals.

For me, some of the realities of animal farming were confronting, but it was approached in a thoughtful and sensitive way. We also learn about riding horses, growing vegetables, making cheese, baking pizza, and more. If I ever visit Hokkaido, I am going to eat so much food.

The manga follows Hachiken and his classmates through their three years of high school until graduation: learning and growing, dealing with success and setbacks, and going through the adventures of youth. There's something nostalgic about all these young people on the cusp of their adult lives, discovering their dreams and figuring out their paths.

I love the themes of planting seeds for the future and the legacy you leave behind. A very enjoyable story with a very satisfying conclusion.
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Rhea314 has made a podfic of one of my From Eroica with Love stories! I am super stoked.

From Tomorrow with Love by Serenade [Podfic] (21 words) by Rhea314
Chapters: 1/1
Fandom: Eroica Yori Ai o Komete | From Eroica with Love
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Klaus von dem Eberbach/Dorian Red Gloria
Additional Tags: Podfic, Audio Format: Streaming, Audio Format: Download, Podfic Length: 20-30 Minutes, One Last Mission, Friendship, Romance, Retirement, Future Fic
Summary: Klaus and Dorian in the 21st century.
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This is a modern classic I only got to check out recently. What Did You Eat Yesterday? is a slice-of-life cooking manga by Fumi Yoshinaga, published in English by Vertical. The official summary is:

Shiro Kakei, lawyer by day and gourmand by night, lives with his boyfriend, Kenji Yabuki, an outgoing salon stylist. While the pair navigate the personal and professional minefields of modern gay life, Kenji serves as enthusiastic taste-tester for Shiro's wide and varied made-from-scratch meals.

Shiro and Kenji are likeable characters, and it's engaging and enjoyable to watch them go about their everyday lives, dealing with work, parents, friends, grocery shopping, etc. And then they cook dinner and eat it together! It's refreshing to read a manga about characters in their forties, which affects how they relate to the world. (Though more than one review describes them as "middle-aged". Really?)

Every chapter features one meal, made up of several dishes. The food is traditional Japanese: simple, healthy, and delicious. There are detailed depictions of the cooking process, with step-by-step illustrations. It's more effort than I would usually go to, but damn it looks tempting. I guess the challenges are, building up a collection of Japanese staples and seasonings in your pantry, and having access to fresh ingredients like daikon, burdock, wakame, etc.

Recipes on my list to try:
- eggplant and tomatoes with Chinese-style spicy pork
- milky agar cubes with brown sugar syrup
- mustard-and-mayo dressed asparagus
- crispy baby sardines, carrot and celery salad
- miso pork, eggplant and bell pepper stir-fry
- seasoned rice with eel, takana and eggs

The manga has had 15 volumes published so far. A TV adaptation aired earlier this year.

Hikago Day

May. 5th, 2019 11:41 pm
meteordust: (hikaru)
Akira, you are just chasing after my shadow and cannot properly see Hikaru's Go.

You don't realise that with every footstep, Hikaru is heading straight towards you.


- Sai, Chapter 28 of Hikaru no Go
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First off, best title ever.

This is a really sweet and charming story, about love and family and acceptance. Single dad Yaichi and his young daughter Kana receive a visitor from overseas: a Canadian called Mike, widower of Yaichi's estranged twin brother Ryoji.

It's kind of slice of life, where Yaichi and Kana introduce Mike to Japanese customs, take him sightseeing, and make him part of their lives for those three weeks. Kana takes everything in stride, and enthusiastically welcomes Mike as her uncle. But Yaichi struggles with his own prejudices, conscious and unconscious. We learn about the status of gay people in Japan - where gay marriage is still not legal - and the subtle and overt homophobia that exists.

Over the course of the story, Yaichi comes to a new understanding of his relationship with Ryoji, and how he feels about Mike as a part of his family. The bond that grows between Yaichi and Kana and Mike is moving and satisfying.

The manga was adapted into a TV series in 2018.
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January was a really good month for manga. I read so much great stuff that reminded me what the best of it could achieve. One of these was Golden Kamuy. I came across it in the library and recognised the name. I knew it was popular but nothing else about it.

Review )
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Last month, I went to SMASH!. It was the first time it was at the newly rebuilt International Convention Centre in Darling Harbour.

I rocked up at 11:40am, figuring I would have avoided the opening time crowds. Surprise! The line was huge. At least, the line to buy tickets was huge. The line for presold tickets was empty. Apparently, they stopped presales a week before the convention, so obviously lots of people were forced to buy tickets on the day. It took almost an hour to get in, compared to the fifteen minutes I'm used to these days.

Once I got in, it was fine. I had fun catching up with fluffyduck, leareth, aerias, K, S and G.


Panels )

Shopping )

Photos )

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