meteordust: (Default)
This is a telemovie made as a sequel to Lawrence of Arabia, released in 1990, shortly after the restored version of that movie was completed. This sequel stars Ralph Fiennes as T E Lawrence and Siddig El Fadil as Prince Feisal, in practically their first screen roles. It covers the Paris Peace Conference held in the wake of World War One, where the nations of the world are carving up empires, and Lawrence and Feisal must fight once more for their dream of an independent Arabia.

Two things of note:

1) This was actually the movie that got me interested in watching Lawrence of Arabia in the first place, when I saw a review for it years ago, quite possibly when it was new out. Partly because of Siddig El Fadil, aka Dr Julian Bashir of Deep Space Nine, and partly because of the supposed chemistry between his Feisal and Ralph Fiennes' Lawrence. Yes, apparently I am that predictable.

2) When I was finally ready to watch A Dangerous Man, damn it was hard to find. One video store clerk told me it had a wide release as VHS, but when they were replaced by DVD, there was never much of a push. Even JB Hi-Fi told me it had been deleted from their catalogue. I finally tracked down a lone copy in a certain library.

Anyway, back to the story.

It's hard to imagine how any movie could follow in the footsteps of the epic Lawrence of Arabia. And A Dangerous Man, perhaps deliberately, walks its own path. It's almost the polar opposite of its predecessor: stagelike drama instead of cinematic widescreen, interiors instead of exteriors, diplomacy instead of warfare. The two movies actually complement each other nicely.

I had reservations about whether anyone else could play Lawrence after experiencing Peter O'Toole's mesmerising performance, but Ralph Fiennes brings a charm of his own to the role, although his Lawrence seems less conflicted and tormented. He still manages to convey his chameleon nature though. Siddig El Fadil is warm and fiery as Feisal, although I was somewhat grieved to see the barriers that kept falling between them. Bonus that there were actually female characters in this movie, primarily the very cool Gertrude Bell, played by Gillian Barge.

Overall, this is a quieter drama, curiously paced, without really a big denouement. But it serves as a good counterpart and coda to the original. For me, it helped put together some pieces of history, as Arabia is divided up in political deals, with foreign powers striving to protect their interest in oil.
meteordust: (Default)
Last weekend, I watched Lawrence of Arabia, for the very first time.

It is something I have been meaning to watch for years.

And now, just like after Hikaru no Go, and after Avatar: The Last Airbender, I feel like running around, waving my arms, and telling everyone who will listen how COMPLETELY AWESOME it is.

LAWRENCE OF ARABIA. COMPLETELY AWESOME. AND HEARTWRENCHING. AND EPIC.

Why did no one ever tell me this? (Except for all the people who awarded it seven Oscars and called it bigger than Ben-Hur and gave it 98% on the Tomatometer.)

Do I even need to talk about why it's so awesome? Or are you all eating popcorn and thinking, "Um, we know, it only came out, like, fifty years ago?"

Peter O'Toole is brilliant. If he never did anything else in his life, he would be remembered for this. His Lawrence is riveting to watch, by turns awkward and passionate and charismatic and arrogant and anguished. A man who fits in his homeland as poorly as in his army uniform, who acknowledges, "I'm different", who has "a great hunger for desolate places". The movie is a psychological portrait of a complicated man in an impossible situation, and I cannot imagine anyone else doing the job he did.

The script is brilliant. Some of the lines are electrifying:

"I think it is far from Damascus."
"Nothing is written!"
"They're going to get it, Mr Bentley. I'm going to give it to them."
"Do you think I'm just anybody, Ali? Do you?"
"The best of them won't come for money. They'll come for me."

The direction is brilliant. People talk about the match blowing out into the sunrise, but what I will never forget is his shadow running ahead of the cheering army, his feet striding across the roof of the train, his silhouette against the sun.

Why isn't there a comm for this? There ought to be a comm.

I have read my way through Yuletide and am working my way through A03.

I am hunting down A Dangerous Man: Lawrence After Arabia next. Though I don't know if I can bear to watch someone else play Lawrence now.

I've started reading Seven Pillars of Heaven:

I loved you, so I drew these tides of men into my hands
and wrote my will across the sky in stars
To earn you Freedom, the seven pillared worthy house,
that your eyes might be shining for me
When we came.


New fandom. Fallen hard.

*sigh*

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