meteordust: (Default)
In Alan Moore's introduction to the collected V for Vendetta, he talks about his 'political inexperience' and 'naivete' when he started the comic in 1981, including his supposition 'that it would take something as melodramatic as a near-miss nuclear conflict to nudge England towards fascism.'

He goes on to say:

"It's 1988 now. Margaret Thatcher is entering her third term of office and talking confidently of an unbroken Conservative leadership well into the next century. My youngest daughter is seven and the tabloid press are circulating the idea of concentration camps for persons with AIDS. The new riot police wear black visors, as do their horses, and their vans have rotating video cameras mounted on top. The government has expressed a desire to eradicate homosexuality, even as an abstract concept, and one can only speculate as to which minority will be the next legislated against. I'm thinking of taking my family and getting out of this country soon, sometime over the next couple of years. It's cold and it's mean spirited and I don't like it here anymore."
meteordust: (Default)
"But it was my integrity that was important. Is that so selfish? It sells for so little, but it's all we have left in this place. It is the very last inch of us. But within that inch we are free."

***


I've read a lot of amazing graphic novels over the past year. Old classics like Watchmen. New classics like 30 Days of Night. But none of them had the same impact on me as V for Vendetta.

Alan Moore's story depicts a totalitarian Britain where constant surveillance is a fact of life and minorities and dissidents are sent to concentration camps. This fascist regime is shaken by a series of attacks by a masked rebel known only as V. Sixteen year old Evey meets V when he rescues her from death at the hands of corrupt police, and he teaches her the hard and precious thing that freedom is.

If you liked 1984, you'll probably like V for Vendetta. But if, like me, you hated 1984, you'll probably *love* V for Vendetta.

Because in this story, Winston Smith strikes back.

Alan Moore wrote V for Vendetta in the 1980s, during the height of the Thatcher years. But the sad and frightening thing is, it's just as relevant today. Even reading it through the sensitive filters of the post September 11 world - after all, V is an anarchist, and his actions can be morally ambiguous - doesn't lessen the emotional power of the story.

Still, I remain astonished that they are making a movie of it - even though, given the kinds of disturbing laws on the horizon, it's probably perfect timing. Unfortunately, I've been hearing rumours of key changes made to the plot, and Alan Moore has already decided to disassociate himself from the production. I'm hoping against hope that my doubts prove unjustified, because I would cheer to see a movie of V for Vendetta that even half lives up to the spirit of the comic.

Because sometimes art is for entertainment.

And sometimes it's to make people angry. And to make people care.

***


"An inch. It's small and it's fragile and it's the only thing in the world worth having. We must never lose it, or sell it, or give it away. We must never let them take it from us."

May 2025

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