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Six the Musical | Global performance of "Ex Wives" and "Six" in isolation
(full version of opening song "Ex Wives" and part of closing song "Six")

24 April 2020. Everyone's doing isolation songs from their homes, and it's a delight to get this showcase of the various international casts of Six, plus their fans. There's something powerful about seeing all these people from around the world, joining their voices together, like there are invisible strings connecting everyone.

SIX the Musical perform flashmob at the Tower of London
(full version of closing song "Six")

31 August 2019. Half a year earlier, with a huge crowd of people, in the middle of the city. I love that everyone in the audience is singing along, chanting the words, and waving their arms to the beat. The energy is wonderful.

What I love about both videos is the joy that shines through. They capture something of what musicals make me feel - how music reaches into our hearts, and connects us to other people.
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Just saw the musical of School of Rock at the Capitol Theatre. I haven't seen the movie, so it was all new to me. Then again, a story about a selfish guy, who has to take on teaching a bunch of kids, has a fairly predictable ending. (Though as with sports movies, even though the plot is predictable, it's so common because it's so satisfying.)

Before the show, there was a recorded message from Andrew Lloyd Webber, saying, "Many people ask, 'Do the kids play their own instruments?' The answer is, 'Yes.'"

The kids were amazing. Not only did they play the instruments in the band with verve, they sang, they danced, and they acted their socks off. There were about a dozen of them, so young and so talented. Apparently there are three casts that rotate performances throughout the week.

I'm not a huge fan of the typical Jack Black character - loud and obnoxious - but he had a good character arc. Brent Hill (as Dewey Finn) did an impressive job, carrying the bulk of the scenes, and throwing himself into the role with frenetic energy. Amy Lehpamer (as Rosalie Mullins) was also great, with a stunning voice in the songs she performed.

My favourite songs were "You're in the Band", "If Only You Would Listen", and "Where Did the Rock Go?" Plus Tomika's a capella solo of "Amazing Grace". Gets me every time.
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Too soon to say best musical of the year? Saying it anyway!

This is the third day of torrential rain - wind gusting it sideways, trees down on the train lines, flooding on the roads - and somehow I made it out into the city, where brave tourists in plastic raincoats were taking photos of the mist enshrouded Harbour Bridge. The only reason I ventured outdoors was because I had tickets to Six, a pop musical about the six wives of Henry VIII, now playing at the Sydney Opera House.

Totally worth it.

Listen up, let me tell you a story
A story that you think you've heard before


I loved the opening song in the trailer. It gave me chills. I love the idea of women of history reclaiming their story, especially after how slandered and maligned some of them were. I love historical fusions that use modern vocab and anachronistic references.

At 75 minutes with no interval, made up of showcase songs, it felt like a concert or cabaret, rather than a traditional musical with a linear narrative. I loved how each of the six had a different style of song, from energetic dance number to emotional power ballad. (The program book and liner notes mention what musical artists inspired the style of each song, eg Catherine of Aragon's are Beyoncé and Shakira, Anne Boleyn's are Lily Allen and Avril Lavigne, etc.)

The Australian performers were awesome. (I wish there was an Australian cast recording! The singing and arrangement are a bit different on the studio cast recording.) I loved that the band was all women too. I loved that the costuming was a glorious fusion of medieval and futuristic.

Spoilers )
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Two years ago, Lea Salonga performed at the Sydney Opera House for the first time. Two weeks ago, I got to see her in concert there again. From the opening number, she showed that even after all these years she's still got it. Her voice is just so powerful and perfect. She really can fill a concert hall.

She talked about how, during Miss Saigon, in the scene when Chris was singing "Why God Why?", she would be curled up under the bed covers, thinking to herself, "I wish that was my song!" Now, she said, she can sing anything she wants. And she sang it, and it was awesome.

(Miss Saigon has one of the most depressing stories of all musicals, but it's still up there in my top five because of its incredible songs, particularly Kim's, and particularly Lea Salonga's Kim.)

Last time, she sang "A Whole New World" (Aladdin) with a volunteer from the audience, which was really fun and charming. This time, she sang with Mat Verevis, one of the backing vocalists, possibly because the show was being recorded.

Other highlights included "Reflection" (Mulan), "Drops of Jupiter" (Patrick Monahan), and "This Is Me" (The Greatest Showman).

The encore was "On My Own" (Les Miserables), then a medley of pop songs. She has such an incredible voice that can do justice to just about anything. I just want to hear her version of all my favourite songs.
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A few weekends ago, I got to see Hugh Jackman in concert, once again, at Sydney Olympic Park, during his 2019 world tour.

He is such a great performer - clearly loves being on stage and bantering with the audience. He made jokes about how he knows some people like to leave concerts early to get out of the car park, so he'd give everyone a heads up two songs before the end. And when some guy cheered at the video clip of Wolverine, he said, "A Wolverine fan! I hope you're not just a Wolverine fan, otherwise it's going to be a long night for you."

There was the most adorable little kid in the front rows, dressed in a ringmaster costume with a top hat. He must have been five or something, just dancing to the songs with a huge smile on his face. Hugh seemed delighted by his enthusiasm, and stopped to chat to him a few times.

I was hoping for some songs from The Greatest Showman, and I was not disappointed. He opened with "The Greatest Show" and "Come Alive", which was a great power combo for getting everyone energised. Keala Settle appeared as a guest, performing "This Is Me", and debuting a song from her new album, "Harder".

He also did songs from Les Mis, Peter Allen, and Broadway. It was entertaining to see him as Gaston, one of his earliest musical roles. The penultimate song was "From Now On", a rousing feelgood number, and he finished with "I Still Call Australia Home", always an emotional favourite.

The program book was full of glossy photos, but alas no program. Fortunately, the setlist is available online:

Australian setlist

International setlist

Once

Jul. 14th, 2019 11:46 pm
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Last weekend, I saw the musical Once at the Darlinghurst Theatre.

It's based on the acclaimed movie with Glen Hansard and Markéta Irglová, about two struggling musicians in Dublin whose paths cross by chance, and the handful of days in which they change each other's lives. The gorgeous "Falling Slowly" won the Oscar for Best Original Song.

In this production, the unnamed Guy and the unnamed Girl are played by Toby Francis and Stefanie Caccamo. They were both excellent, but Stefanie really shone with her portrayal - forthright, fearless and steadfast - whereas Toby was more the straight man to her character.

The musical expanded the roles of the secondary characters, and fleshed out their personalities and subplots. (It also featured Cameron Daddo as the Guy's Da.) What was really cool was the actors were all musicians too, and not only sang and danced but played their own instruments. (There was also a rollerblading violinist! I was very impressed.)

It's weird - I have so many favourite musicals that Once wouldn't even crack the top ten, but this was one of the best productions of a musical I've ever seen. It was an incredible emotional journey, full of humour, poignancy, and hope. But more than that, it was like it perfectly captured the essence of Once. It got a standing ovation. It really felt like we were part of something magical.
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Hamilton is finally coming to Australia!!!

Sydney secures Australian premiere of Hamilton

Lyric Theatre. February 2021.

There's a million things I haven't done
But just you wait, just you wait
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Two weeks ago, I saw the musical The Last Five Years at the Ensemble Theatre. It's been on my list of shows to catch, ever since I heard two of the songs at a charity concert a few years back. While the songs were fine, it was the concept that hooked me.

Basically, it's the story of the five years of a relationship, from first meeting to final parting. But Cathy's story goes backwards from end to beginning, like Memento, and Jamie's story goes forward from beginning to end, like normal. And the only time they meet is in the middle, on their wedding day.

I knew going in that it was going to be a downer, and I can't exactly say I enjoyed it? It was heartbreaking, and even the happy scenes were poignant from foreknowledge. Christian Charisiou and Elise McCann did an impressive job of carrying the show. It was very intense, just two people on a stage, with the setting sketched in by a handful of props. A one act musical with no interval.

I was surprised to see a number of children in the audience. I'm not sure how enjoyable it would have been for them to watch 90 minutes of a relationship breakdown.
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A few weeks ago, I finally got to see The Book of Mormon at the Lyric Theatre.

I'm not a huge fan of South Park style humour, but I am a huge fan of musicals. And from what I'd heard, this was a very good musical. And it delivered pretty much exactly what I expected.

Spoilers )
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So several weeks ago, Event Cinemas screened the stage musical of Sailor Moon, which was also a Takarazuka Revue production! Thus combining two of my favourite things.

It was pretty much everything I could have wished for.

Spoilers )

Great performances and great singing, with humour, drama, and heart. I really hope it gets a local DVD release.

Links for future reference:

Sailor Moon: Le Mouvement Final

Promo video on YouTube
Wandering Stars - Sailor Stars song
Legend of the Dictator - Shadow Galaxia song
The Guardian Who Lost Hope - Tuxedo Mask song
Moonlight Densetsu - Ending song

Fan page with summary and cast list
Original Japanese performance
Australian screening
American screening
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So last weekend, I went to see In the Heights at the Hayes Theatre. It's been on my list of musicals to see ever since that episode of Ugly Betty when Justin was over the moon about it, and wow, was it really ten years ago that it first came out? And of course by now I was curious about LMM's first major project, and whether the seeds of Hamilton could be seen in it.

The website said it was a sold out season, but to check back daily for returns, which is how I was lucky enough to snag a ticket. It was my first visit to the Hayes Theatre, an easy walk from Kings Cross station. When I got there, I understood one of the reasons it was sold out: the theatre is tiny, only seating 111, which meant that anywhere was a great view.

Spoilery reactions )
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In February, I went to see Lea Salonga in concert at the Opera House. I was super excited, because I've loved her singing ever since the Miss Saigon cast recording, one of my first musicals.

She was warm and funny, and thrilled to have her Opera House debut. Her brother, Gerard Salonga, was the conductor that night for the Sydney Symphony Orchestra.

The program was an awesome selection of classics:

Full list )

For "A Whole New World", she asked for a volunteer from the audience to perform the duet with her. The starstruck young man who ended up on stage was actually a pretty good singer. His enthusiasm was very cute.

All in all, a great show! She signed a CD for me while I tried not to fangirl too much.
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So I went and saw the musical of Kinky Boots at the Capitol Theatre on Friday. It lived up to the hype! I'd enjoyed the movie when I saw it years ago, and this was a good adaptation of the story to the stage. It moved at a cracking pace. It was sparkly, upbeat, and uplifting. Cyndi Lauper's music had a great '80s pop atmosphere to it. All the cast were excellent, but Callum Francis as Lola stole the show.

Some of my favourite numbers: "Take What You Got", "The History of Wrong Guys", and "Not My Father's Son". Pretty much all the songs were great - I'll be listening to the cast recording for a while.
meteordust: (kujaku)
A musical about Bobby Darin? Sure, "Beyond the Sea" is one of my favourite songs! This will be a fun distraction from current events.

I was not expecting it to rip my heart out.

Clearly, I did not know enough about the life of Bobby Darin.

Also, timing is everything.

Spoilers )
meteordust: (kujaku)
Possibly the best movie musical of all time, so anyone doing a stage version has big shoes to fill. But it's hard to go wrong when you start with such great songs, and the Australian touring production did an admirable job.

Everyone talks about how they MADE IT RAIN ON STAGE for the showstopping title song. And it was pretty impressive! Sprinklers in the ceiling pouring water down, and a shallow pool across the whole floor to collect it. Lots of splashing about. The first three rows of the audience were provided with rain ponchos for protection.

My personal highlights were "Make 'Em Laugh" and "Moses Supposes", two of my favourite songs from the movie. Adam Garcia, who was meant to be the lead, was injured, but his understudy (a role shared between Robyn Arthur, Rodney Dobson and Mike Bishop) was a great Don Lockwood. (I was impressed when I realised a different version of the film clips would have to be made for all three understudies.) It was cool to see Jack Chambers from So You Think You Can Dance Australia as Cosmo Brown, probably one of the most fun stage roles ever. Gretel Scarlett was a great Kathy Selden, especially in "Good Morning" and "Would You?" And Erika Heynatz was hilarious as Lina Lamont, who actually gets a song here, "What's Wrong With Me?".
meteordust: (kujaku)
So, I finally checked out the original movie. I liked it! But it was very different. Ironic and detached. And everyone looks so young.

An article about the major changes and the reasoning behind them:

Talking to Heathers: The Musical Director Andy Fickman About What Was Changed From the Movie

An interesting perspective on the differences, from the liner notes of the cast recording:

Cut for length )
meteordust: (kujaku)
This isn't anything as coherent as a review of Heathers: The Musical, but I need to ramble about it.

I've seen a lot of musicals in my time. But I can't remember any that made me so impressed and so uncomfortable at the same time.

Spoilers )

Overall, it was incredibly well put together. The cast was fantastic. The plot was lean and brisk. Every beat was true. Every reaction was earned. Every song was a punch of emotion. It's just about a note perfect example of a musical. The cool thing about adaptations is, they give you a chance to refine the essence of the original. I should have guessed, from the calibre of the songs, that it was co-written by one of the co-writers of Legally Blonde: The Musical. Not always easy to watch, but very worthwhile.
meteordust: (kujaku)
The Sound of Music is the sound of my childhood. I cannot count the number of times we watched our VHS copy taped off the TV, or listened to the vinyl record of the soundtrack. Every song is embedded in my memory, like for so many other people. And Julie Andrews is the perfect Maria.

So how could a production of the stage musical hope to live up to these kinds of expectations?

Spoilers: well, it can't, not really )
meteordust: (kujaku)
So for the last few weeks, this is what I've been listening to, pretty much non-stop:

Hamilton Original Broadway Cast Recording CD

Others more eloquent than me have talked about what it means to them, to witness the story of America then, cast with people who look like America now. How it makes them feel part of the history of their nation for the first time. Powerful stuff.

I've never really been into American history. I've never been into rap and hip-hop before.

But I do love a good musical.

And Hamilton? Is a great musical.

The promo clip certainly grabbed my attention. ("My Shot" is irresistibly catchy: "Hey yo, I'm just like my country / I'm young, scrappy and hungry / And I'm not throwing away my shot!")

But what won my heart was Lin-Manuel Miranda's performance at the White House poetry jam, back when all he had was the first song. It was electrifying. (I get chills at "There's a million things he hasn't done / But just you wait, just you wait...")

Hamilton is doing so many things on so many levels: musically, thematically, emotionally. It's put together so beautifully. And there are so many moments in it that move me.

As Stephen Colbert said in his interview with Lin-Manuel Miranda on The Late Show: "My first reaction was just like, oh, this is very interesting, this is very different, I wonder how long they can sustain this. And then you go, oh, this is actually quite magnificent. And then two hours later I'm going, why am I crying over Alexander Hamilton?"

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